An Analysis of Etay Wuni Pugut Wedding Song in Asotipo Village, Jayawijaya Regency

Napius Kogoya; Manase Halitopo

doi:10.55606/lencana.v4i1.6114

Authors

Napius Kogoya STKIP Abdi Wacana Wamena
Manase Halitopo STKIP Abdi Wacana Wamena

DOI:

https://doi.org/10.55606/lencana.v4i1.6114

Keywords:

Culture, Ethics, Social Function, Traditional Song, Symbolism

Abstract

The purpose of this study is to examine linguistic features, symbolic meaning, cultural values, and social functions. This study employed a qualitative descriptive method to interpret the symbolic expressions embedded in the song. Data were collected through observation, documentation, and interviews with local informants and analysed using a cultural and linguistic approach. The informants used in this study were traditional elders, elders community, and singers of Etay Wene Pugut. The data were collected through observation, documentation, and semi-interview. The findings reveal that Wikaure/Wokaure (marriage) represents a central institution that governs social relationships. Wam Kino Ari Halok/Sayl Kino Ari Halok (requesting pigs as bride wealth) signifies the economic and symbolic aspects of marriage traditions. Alon werek hugaio (lazy man) and Hali wutilk/yawu wanilek (never working or collecting firewood) emphasize the importance of diligence and responsibility. Hopase/Hagosa (lack of parental advice) highlights the role of family in morality. In contrast, Nyair ikogorek reflects resistance to traditional bride wealth practices. Wen/yawu ato ware (working in the garden) promotes positive values through expressions as symbolizing productivity and self-reliance. Leere oweak oo (mourning the deceased) and Inyoi/nyagecugi witlauka/watllauke (remembering deceased family members) demonstrate respect for ancestors and a collective memory. Finally, Iwiru/ewero (misfortune) reflects beliefs about fate and life challenges.

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